| Description |
vii, 214 p. : ill., music ; 24 cm. |
| Series |
eBook Academic Collection - North America
|
| Bibliography |
Includes bibliographical references (p. 201-210) and index. |
| Contents |
Sci fidelity : music, sound and genre history / Philip Hayward -- Hooked on aetherophonics : The day the earth stood still / Rebecca Leydon -- Atomic overtones and primitive undertones : Akira Ifukube's sound design for Godzilla / Shuhei Hosokawa -- Forbidden planet : effects and affects in the electro avant garde / Rebecca Leydon -- The transmolecularisation of [Black] folk : Space is the place, Sun Ra and afrofuturism / Nabeel Zuberi -- Nostalgia, masculinist discourse, and authoritarianism in John Williams' scores for Star wars and Close encounters of the third kind / Neil Lerner -- Sound and music in the Mad Max trilogy / Rebecca Coyle -- "These are my nightmares" : music and sound in the films of David Cronenberg / Paul Théberge -- Ambient soundscapes in Blade runner / Michael Hannan ; Melissa Carey -- I'll be back : recurrent sonic motifs in James Cameron's Terminator films / Karen Collins -- Inter-planetary soundclash : music, technology and territorialisation in Mars attacks! / Philip Hayward -- Mapping the Matrix : virtual spatiality and the realm of the perceptual / Mark Evans. |
| Access |
License restrictions may limit access. |
| Subject |
Motion picture music -- History and criticism.
|
|
Motion pictures -- Sound effects -- History.
|
|
Science fiction films -- History and criticism.
|
| Added Author |
Hayward, Philip.
|
|
eBook Academic Collection - North America
|
| ISBN |
0861966449 |
| OCLC # |
sseb_ssj0001787459 |
|
